My approach centred on translating the richness and vibrancy of Caroline’s artwork into print as faithfully as possible, while keeping production practical for a limited run. This involved researching print suppliers that could deliver a high-quality result at a reasonable cost, with particular attention given to colour reproduction, finish and overall presentation.
Working closely with Caroline, I reviewed options for paper stock, print methods and coatings to identify the combination that best suited both the artwork and the wider Chinakwe brand. This collaborative process helped ensure the final pieces felt considered and cohesive, with every production choice supporting both the visual impact of the work and its commercial use in an exhibition context.